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1: Synthogy Ivory Grand Piano 1.5 Virtual Instrument

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Synthogy Ivory Grand Piano 1.5 Virtual Instrument

 

Synthogy Ivory Grand Piano 1.5 Virtual Instrument
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Customer Review:

I had a nightmare ... ILOKO Next, a list that I email people ILOKO ... 

"I received a message during the synchronization of my Active X Initialization. About an hour monitoring the little arrows to go, and I do not want to touch or stop the browser synchroniztion ... Finally, I clicked on" click here "with an error message .... gone through the same cycle again. .. I'm wondering if I blew $ 50 ILOKO, because I stopped sync ...." 

I was able to go through the maze ILOKO. It was not easy. My e-mail is not returned ... 

I used this VST is now 6 months. Now I find Bösendorfer sound is disappointing. First, the bass response was very attractive, but the upper register notes die too quickly, which is associated with a number of piano sounds. German Steinway sound very good, but you have to deal with it. It sounds better with better pedals.

 

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Inspiring

This is the first electronic instrument I tried playing which is comparable to playing a real grand piano. Of course the experience is not the same, for a variety of subtle reasons. It is starting to come pretty close, though, and if you are not in a position to have your own Steinway grand in a dedicated music room, you might find that a state of the art virtual instrument like Ivory gives a bigger boost to your playing than a run-of-the-mill real instrument. 

I thought quite a lot about just why pianos are so difficult to imitate electronically. My feeling is that the difference between Ivory and a real piano sound reduces to two main areas. The first is true sympathetic resonance. Ivory has a dedicated DSP engine for simulating the interaction of strings through the sounding board, however this only works en masse. The algorithm does not take into account which which keys are down, hence the ringing effect of notes sounded in succession, or chords struck at the same time is not really there. 

The other area is just the pure audio soundscape. No matter how fancy the software is, you are still listening to a signal relayed through cables, amplifiers, speakers, etc., subject to all the pitfalls of electronic sound reproduction. It's just not the same. The limitations of stereo are particularly evident. Anyone who has played a concert grand can relate to feeling the presence of the sound, emanating not just from the left or the right, but particular places in space. Two channels cannot possibly reproduce this. 

Having said all this, some of the samples in Ivory are breathtakingly beautiful. The recordings were clearly done on top notch instruments and with great care. Ivory gets you pretty involved in the sound engineering process by offering a number of tunable parameters including various filters, key noise, resonance, etc.. It is interesting to gain an appreciation of the fact that there are always compromises involved, and sound reproduction is about much more than playing back exactly what has been recorded. The flexibility of being able to adjust your instrument to your taste and the demands of each piece you play is an added bonus that you don't get with a real instrument. 

I was surprised to find how much of a boost Ivory gave to my playing, both in terms of creativity and in terms of technique. A good instrument allows one to hear more, and express more subtle nuances, even at the advanced amateur level that I am at. It also brings out deficiencies of one's playing in high relief. 

I listened to lots of mp3 samples, tried Ivory out in a music shop, but I still found it very difficult to gauge what it was going to be like as an instrument until I actually took it home. As I understand, the main competitor at the moment is Akustik Piano, which I can't really comment on, since that I have not bought. It's important to note that Ivory needs a host application, such as Cubase, ProTools, or something similar. 

One final note: the hardware demands of Ivory need to be taken seriously. Contrary to the product description above, Ivory actually contains 41GB of samples that need to be fit on a hard drive somewhere. Because Ivory streams in samples on demand, this has to be a fairly fast drive, and preferably not the main drive used by the host application. I haven't tried using the same drive, and the way I am using Ivory now there does not seem to be too much on the fly loading, but even with the setup I now have, loading a new instrument takes about 10-15 seconds. I did have a lot of streaming when I tried playing with just 512 MB of RAM, and in fact with that configuration the instrument was basically unplayable. The 1.5 GB I now have seems sufficient to hold all samples in RAM.

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too much bass for an apartment?

do you think this sub will be too loud for an apartment? i wanna know before i buy it...right now i have one of those cheap plastic "home theater in a box" subwoofer with that ugly hole in the front that came with my RCA 1000 home theater. People have said it wouldnt be too loud, and that i should just turn the gain down...what is the gain? is it different from volume? and will i be able to control the sub from my reciever? right now i can control the one it came with, but it plugs in a dfferent way, but with the new one i will just use the single jack subwoofer cable. Thanks!!

heres the sub
http://www.bestbuy.com/site/olspage.jsp?skuId=8417527&st=sony+subwoofer&lp=1&type=product&cp=1&id=1213047115936

The new sub may be "louder" than the old one, but by turning the gain down you can decrease the amount of bass if necessary. That said, gain is normally set once ... since it sets the amount of bass relative to the mid/treble and then you use the receiver volume control to turn the overall volume up or down.

Gain is essentially the degree of amplification of the bass signal by the amp in the sub. ... i.e. similar to a volume control for the bass only.

That all said, if you are worried about volume why buy a bigger sub? Simply put the existing one out of sight behind the couch or under a table (it will still work).

GENERAL MUSIC INDUSTRY: How to Sound Check, Part Two
Earlier today I went over the basic preparations required to make a sound check run smoothly. Now, we'll get down to the nitty gritty of how you and the house technical staff can best work together to bring your audience a truly memorable and killer show. Follow the procedure. The venue engineers will guide you through the process of sound checking, but knowing what's coming saves time, and ...

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